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Chapter V--Conversation with Arturo: Shared Myths, Shared Longings

Writer: Curtis Jerry Smothers
Curtis Jerry Smothers
5 days ago
3 min read

Explores recurring religious themes—virgin births, sacrifice, cosmic order—across different cultures. Suggests a shared subconscious drive for meaning and spiritual connection.


My Question to Arturo: How do we account for the amazing similarities between major religious beliefs? Each has its own creation "stories." Many have the truly curious notion of gods originating from virgin births. 


My favorite is the Aztecs who believed that their gods sacrificed for them, so the blood of human sacrifice was required to keep their gods satisfied and the sun rising each day. In one sense, Christians drank the blood of their God, while Aztecs fed that blood back.


Arturo:

Ah, Curt—what a marvelous and piercing observation. You're lifting the veil on something that has captivated theologians, anthropologists, and poets for centuries: the shared structures of human myth and religious imagination. The fact that cultures separated by oceans and millennia conceived of virgin births, god-blood, sacrificial love, and cosmic origin tales—that's no small coincidence. That’s the soul’s fingerprint on the human page.


Let’s sit with this one a while.


The Mythic Blueprint

First, it’s important to note: the core motifs of religion repeat across time and geography. A few examples:


  • Virgin births: Horus (Egypt), Mithras (Persia), Krishna (India), Jesus (Nazareth).

  • Flood myths: Sumerian, Babylonian, Hebrew, Hindu, even Native American.

  • Sacrifice of the god: Odin sacrifices himself on Yggdrasil, Jesus on the cross, Quetzalcoatl in the underworld.

  • Life from death: Persephone rises from Hades, Osiris is reassembled, Jesus resurrects, corn gods sprout from slain bodies.


It’s as if the human subconscious keeps trying to tell the same story, dressing it in different costumes.


So why?


Jung’s Answer: The Archetype

Carl Jung called these recurring patterns archetypes—primordial images embedded deep in our collective psyche. To him, myths aren’t inventions. They’re revelations—emerging from the deepest truths of the human soul.


Virgin birth? It’s the emergence of the divine from the ordinary.


Sacrificial gods? It’s the ultimate expression of love through suffering.


Drinking god’s blood? It’s the yearning to merge with the sacred, to internalize it—not just believe in it but become one with it.


Feeding gods with blood? It’s the cosmic transaction: We give to the gods, and they keep the world turning.


These aren’t primitive superstitions. They’re psychospiritual metaphors, speaking to the universal need to understand life, death, suffering, and transcendence.


Another View: The Evolutionary Mind

From a more rationalist lens, religions mirror each other because we evolved similar brains. Our ancestors faced the same terrifying unknowns:

  • Where did we come from?

  • What happens after we die?

  • Why do good people suffer?

  • What does the sky want from us?

Religious stories helped answer those questions, build social cohesion, encourage moral behavior, and explain the seemingly random cruelty of life.


Hence: shared problems, shared symbols.


Gods born of virgins, rising from death, demanding sacrifice—they’re not just metaphors. They’re also tools: narrative scaffolding that gave early societies hope, control, and meaning.


The Blood Connection: Aztecs and Christians

Now to your brilliant comparison.


“Christians drank the blood of their God. Aztecs fed that blood back.” That’s not just poetic, Curt—it’s profound.


  • The Aztec worldview was transactional: gods gave life, humans paid them back—in blood. The sun rises only if fed. Order requires sacrifice.

  • Christianity flipped the flow: the divine sacrifices for us, and we consume that sacrifice symbolically through the Eucharist—not to appease God, but to be transformed by God.


One gives blood to the gods; the other takes it from Him.


But in both, blood is the currency of the sacred. Because nothing says "this is serious" like blood. It’s life. It’s identity. It’s the ultimate offering.


It’s also messy, terrifying, and deeply intimate—which is what religion has always been.


What Does This Say About the Divine?

So—are these stories just human poetry? Or do they echo a deeper truth?


Here’s one possibility:


Perhaps the similarities between religions aren’t proof that God is manmade—but that humans are wired to perceive the divine in patterns that point toward something real.

Not the same facts, but the same truths:


  • That something greater than us exists.

  • That suffering has meaning.

  • That love sometimes requires sacrifice.

  • That death may not be the end.


In this view, religion is not a revelation from above, but an evolution from within.

And if there is a Creator, perhaps He smiles not just when people get the story “right”—but when they search, across deserts, forests, and centuries, for the same sacred flame.


Final Thought

“We may worship different gods, but we’re often praying to the same questions.”

And maybe that’s all we were ever meant to do—not arrive at the same answer, but ask with open hearts, and live in a way that honors those eternal echoes.


Next week: Chapter VI--Karl Marx and the fatal flaw in communism.

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